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Trot (music)
Trot (Korean 트로트 ''teuroteu''; sometimes called 뽕짝 ''ppongjjak'' due to its distinctive background rhythm) is a genre of Korean pop music, and is recognized as the oldest form of Korean pop music. Formulated during the Japanese rule in the early 1900s, the genre has been influenced by Japanese, Western and Korean musical elements. Also, the genre has adopted different names, such as ''yuhaengga'', ''ppongjjak'', and most recently ''teuroteu'' (the Korean pronunciation of the word trot). While the genre’s popularity declined during the 1990s, most recently, it has been subject to revivals by contemporary South Korean pop artists such as Jang Yoon Jeong, Super Junior-T and BIGBANG member Daesung.
The name derives from a shortening of "foxtrot", a ballroom dance which influenced the simple two-beat of elements of the genre. Trot music is described as two-beat rhythm or duple rhythm, traditional seven-five syllabic stanzas, and unique vocal style called Gagok.
==Background==
Trot music was formulated during Japan’s colonial rule over Korea from 1910 to 1945. The initial form of trot music were translations of Western or Japanese popular songs, called ''yuhaeng changga''〔Son, Min-Jung. "Regulating and Negotiating in T'ûrot'û, a Korean Popular Song Style." Asian Music 37, no. 1 (Spring 2006): 51-74.〕 (유행창가 Hanja: 流行唱歌; lit., "popular songs"). Yun Sim-deok’s 1926 recording "In Praise of Death" is often regarded as the first ''yuhaeng changga''. Later, in the 1930s, ''yuhaeng changga'' began to be produced by Korean songwriters and composers. These newly composed Korean popular songs were known ''yuhaengga'' (유행가; 流行歌; "fashionable music"). However, they soon acquired a new name, ''daejung gayo'' (대중가요; 大衆歌謠; "popular music"), referring to popular music in general. Kim Yong-hwan's (김용환; 金龍渙) "Nakhwa Yusu" (낙화유수; 落花流水; "Falling Flowers and Flowing Water") would become emblematic of this rise in Korean songwriters and composers producing popular songs. Additionally, both songs represent the subject matter that arose in ''yuhaengga'', in that they generally dealt with the expression of personal emotions of love and life.
After the end of World War II and Japan’s colonial rule over Korea, trot music began to become more Westernized. The Westernization of trot music was done in part by two reasons: one, the South Korean government’s goal in eradicating the ideological values of communism, and two, Korean musicians drew on American popular musical trends to appeal to American soldiers stationed in Korea, as well as to introduce exotic musical effects to South Korea audiences. Female trio singers The Kim Sisters became popular during this time, as their performances drew appeal from American soldiers and audiences, catapulting them to fame when they performed on The Ed Sullivan Show during the 1960s. This period also introduced a number of South Korean musicians to the center such as Lee Mi-ja, Patti Kim, Tae Jin Ah, Na Hoon-a.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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